2. 弗朗西斯科·安东尼奥·瓦列霍的《与耶稣会圣徒钉十字架的寓言》 高清作品[95%]

Allegory of the Crucifixion with <em>Jesuit</em> Saints (Alegoría de la crucifixión con santos <em>jesuit</em>as)-

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弗朗西斯科·安东尼奥·瓦列霍的《与耶稣会圣徒钉十字架的寓言》-Francisco Antonio Vallejo

Allegory of the Crucifixion with Jesuit Saints (Alegoría de la crucifixión con santos jesuitas)--Francisco Antonio Vallejo (Mexican, 1722–1785)

下载弗朗西斯科·安东尼奥·瓦列霍的《与耶稣会圣徒钉十字架的寓言》大图

3. 彼得·坎迪德的《圣母与圣伊丽莎白的孩子》、《婴儿圣约翰浸信会》和《耶稣会》 高清作品[95%]

Madonna and Child with Saint Elisabeth, the Infant Saint John the Baptist and a <em>Jesuit</em>-

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彼得·坎迪德的《圣母与圣伊丽莎白的孩子》、《婴儿圣约翰浸信会》和《耶稣会》-Peter Candid

Madonna and Child with Saint Elisabeth, the Infant Saint John the Baptist and a Jesuit--Peter Candid (Flemish, ca. 1548 - 1628)

下载彼得·坎迪德的《圣母与圣伊丽莎白的孩子》、《婴儿圣约翰浸信会》和《耶稣会》大图

4. 威廉·雅各布·赫雷恩斯(Willem Jacob Herreyns)的《耶稣会士和波兰人乔泽夫·盖斯奎尔》(Jozef Ghesquière) 高清作品[91%]

Jozef Ghesquière, <em>Jesuit</em> and Bollandist-

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威廉·雅各布·赫雷恩斯(Willem Jacob Herreyns)的《耶稣会士和波兰人乔泽夫·盖斯奎尔》(Jozef Ghesquière)-Willem Jacob Herreyns

Jozef Ghesquière, Jesuit and Bollandist--Willem Jacob Herreyns (Flemish, 1743-1827)

下载威廉·雅各布·赫雷恩斯(Willem Jacob Herreyns)的《耶稣会士和波兰人乔泽夫·盖斯奎尔》(Jozef Ghesquière)大图

7. 无 题 日本岛的描述。答案:c.1595。 高清作品[57%]

Japoniae insulae descriptio. Antwerp: c.1595.

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:Japoniae insulae descriptio. Antwerp: c.1595.
Hand-colored double-page engraved map, 355 x 486 mm, Latin text on verso, strap cartouche surrounding scale bar, 3 ships. Framed. Centerfold expertly reinforced on verso, an attractive example.

\"A new epoch in Western cartography of Japan begins with the inclusion of this map in the Theatrum. Ortelius had received it along with a map of China in a letter of 20 February 1592 from the Portuguese Jesuit and mathematician Luis Teixeira, who was the cartographer to the court of the Spanish King\" (Walter Japan 19). China\'s coast is in the east and Korea here depicted as an island, which originated with the Teixeira map.

无 题 日本岛的描述。答案:c.1595。

下载无 题 日本岛的描述。答案:c.1595。大图

8. 肖特,加斯帕。1608-1666. 好奇的物理学,或自然和艺术的奇迹。维尔茨堡和纽伦堡:J.A.Endter和J.Hertz,1667年。 高清作品[46%]

Physica Curiosa, sive Mirabilia Naturae et Artis.  Würzburg  Nuremberg: J.A. Endter  J. Hertz, 1667.

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SCHOTT, GASPAR. 1608-1666. :Physica Curiosa, sive Mirabilia Naturae et Artis. Würzburg Nuremberg: J.A. Endter J. Hertz, 1667.
4to (225 x 190 mm). 2 parts in 1. Half-title, letterpress title in red and black with engraved coat of arms on verso, additional engraved title by Sandrart, 61 engraved plates (6 folding). [54], 1389, [23] pp. Modern half red-brown morocco and marbled boards; heavy foxing and toning throughout, a few closed tears and paper flaws.

SECOND EDITION of this encyclopedia of the natural world by the Jesuit Gaspar Schott, a student of Athanasius Kircher. Includes case studies of satyrs, centaurs, marine monsters, cyclops, two-headed animals and a man with a head on his belly, among other curiosities, as well as a discussion of demonology.

肖特,加斯帕。1608-1666. 好奇的物理学,或自然和艺术的奇迹。维尔茨堡和纽伦堡:J.A.Endter和J.Hertz,1667年。

下载肖特,加斯帕。1608-1666. 好奇的物理学,或自然和艺术的奇迹。维尔茨堡和纽伦堡:J.A.Endter和J.Hertz,1667年。大图

9. 再见,菲利普。1638–1725. 关于Viventia的观察,这在Viventibus的案例中没有发现。用奇怪的显微照片。罗马:多米尼克斯·安东尼乌斯·赫拉克勒斯,1691年。 高清作品[46%]

Observationes circa Viventia, quae in rebus non Viventibus reperiuntur. Cum Micrographia curiosa. Rome: Dominicus Antonius Hercules, 1691.

图片文件尺寸 : 5392 x 5561px

BUONANNI, FILIPPO. 1638-1725.:Observationes circa Viventia, quae in rebus non Viventibus reperiuntur. Cum Micrographia curiosa. Rome: Dominicus Antonius Hercules, 1691.
8vo (215 x 157 mm). 69 plates (4 folding). Modern quarter morocco and marbled boards. Margins slightly trimmed, repaired tear to upper outside corner of title page, repair to margin of of n2, a few marginal annotations in ink, scattered browning and spotting.

FIRST EDITION. Bounanni, a Jesuit scholar and pupil of Athanasius Kircher, published this work based on his observations through a three-lens microscope of his own construction. His conclusions supported spontaneous generation of living matter, in contrast to those of his contemporary, Francesco Redi. An identical 2nd edition was published in 1699. Garrison-Morton-Norman 264; Krivatsy 1935; Nissen ZBI 752; Norman 374; Wellcome II, 198.

再见,菲利普。1638–1725. 关于Viventia的观察,这在Viventibus的案例中没有发现。用奇怪的显微照片。罗马:多米尼克斯·安东尼乌斯·赫拉克勒斯,1691年。

下载再见,菲利普。1638–1725. 关于Viventia的观察,这在Viventibus的案例中没有发现。用奇怪的显微照片。罗马:多米尼克斯·安东尼乌斯·赫拉克勒斯,1691年。大图

10. 阿塔纳修斯·基尔彻。1602-1680. Romani Collegii Societatus Jesu Museum Celeberrrimum。阿姆斯特丹:Janssonius van Waesberge,1678年。 高清作品[43%]

Romani Collegii Societatus Jesu Musaeum Celeberrimum. Amsterdam: Janssonius van Waesberge, 1678.

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KIRCHER, ATHANASIUS. 1602-1680. :Romani Collegii Societatus Jesu Musaeum Celeberrimum. Amsterdam: Janssonius van Waesberge, 1678.
Folio (375 x 260 mm). Engraved additional title, engraved portrait of Kircher, 17 engraved plates (9 folding), 4 engravings and numerous woodcuts to text, initials, tailpieces. Later half vellum and boards; few stray pen marks to rear cover, margins of text toned and spotted, final few leaves foxed.

FIRST EDITION of the first catalogue of the Museo Kircheriano at the Roman College, a detailed inventory of Kircher\'s cabinet of curiosities of Chinese and Egyptian antiquities, scientific instruments, optical devices and ancient musical instruments. Kircher \"was in an excellent situation, at the hub of the Jesuit order, to gather relics, specimens, manuscripts, and any other oddities or rarities his fellow Jesuits brought back to Rome from all parts of the world ... In 1678 , the Museo Kircheriano was at its peak, with a new exhibit hall and a printed catalogue\" (Merrill, p xxvii). A second catalogue was published in 1709 followed by a long period of decline in the maintenance of the collection. Much of Kircher\'s collection was eventually incorporated into the Museo Nazionale. Caillet 5784.

阿塔纳修斯·基尔彻。1602-1680. Romani Collegii Societatus Jesu Museum Celeberrrimum。阿姆斯特丹:Janssonius van Waesberge,1678年。

下载阿塔纳修斯·基尔彻。1602-1680. Romani Collegii Societatus Jesu Museum Celeberrrimum。阿姆斯特丹:Janssonius van Waesberge,1678年。大图

11. 阿塔纳修斯·基尔彻。1602-1680. 中国纪念碑,作为圣礼,作为普罗法尼。阿姆斯特丹:约翰内斯·扬索纽斯·范·瓦斯贝热和埃利埃斯·韦耶尔斯特雷特,1667年。 高清作品[41%]

China Monumentis, qua Sacris qua Profanis.  Amsterdam: Johannes Janssonius van Waesberge  Elizeus Weyerstraet, 1667.

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KIRCHER, ATHANASIUS. 1602-1680. :China Monumentis, qua Sacris qua Profanis. Amsterdam: Johannes Janssonius van Waesberge Elizeus Weyerstraet, 1667.
Folio (385 x 265 mm). Engraved portrait, 2 engraved maps (1 folding); 23 engraved plates and tables (2 folding), 59 engravings to text, LACKING engraved frontispiece. Modern quarter red morocco; title and following two leaves repaired at margins on verso, plate at p. 137 lacking all areas beyond folds, 120 mm vertical tear to T3, gutter of final leaf repaired.

FIRST EDITION of Kircher\'s popular and richly illustrated work on Chinese culture and language, drawn largely from the accounts of fellow Jesuits Adam Schall, Martino Marinti, Johann Grueber, and Matteo Ricci. This work contains the first Chinese vocabulary and Sanskrit grammar printed in the West and remained the primary source for the study of those languages until the nineteenth century. The Chinese vocabulary is drawn from a translation of the 8th-century Nestorian stele; the Sanskrit grammar on the work of Jesuit Heinrich Roth. Caillet 5773; Brunet III, 666; Honeyman V, 1824; Löwendahl 133 (\"one of the most influential books in shaping the European conception of China in its day\"); Lust 37; Merrill 20.

阿塔纳修斯·基尔彻。1602-1680. 中国纪念碑,作为圣礼,作为普罗法尼。阿姆斯特丹:约翰内斯·扬索纽斯·范·瓦斯贝热和埃利埃斯·韦耶尔斯特雷特,1667年。

下载阿塔纳修斯·基尔彻。1602-1680. 中国纪念碑,作为圣礼,作为普罗法尼。阿姆斯特丹:约翰内斯·扬索纽斯·范·瓦斯贝热和埃利埃斯·韦耶尔斯特雷特,1667年。大图

12. 阿塔纳修斯·基尔彻。1602-1680. 拉蒂姆。这是一个新的、平行的、既旧又新的描述。阿姆斯特丹:约翰内斯·扬索纽斯·范·瓦斯贝热和E.Weyerstraet的继承人,1671年。 高清作品[40%]

Latium. Id est, nova  parallela latii tum veteris tum novi descriptio.  Amsterdam: Johannes Janssonius van Waesberge  heirs of E. Weyerstraet, 1671.

图片文件尺寸 : 5159 x 3825px

KIRCHER, ATHANASIUS. 1602-1680. :Latium. Id est, nova parallela latii tum veteris tum novi descriptio. Amsterdam: Johannes Janssonius van Waesberge heirs of E. Weyerstraet, 1671.
Folio (405 x 270 mm). Additional engraved allegorical title by Romeyn de Hooghe, engraved portrait of Pope Clement X, 27 engraved plates, maps, and plans (15 double-page), 20 engraved plates in text, woodcut vignette on title, initials and tailpieces. Contemporary vellum, tooled in blind to panel design with centerpiece medallion; covers soiled, text browned and heavily foxed throughout, occasional brittle and chipped leaves, a few closed tears repaired to plates on verso.
Provenance: inscribed \"Cuthbert 1710\" on front free endpaper; Thomas Kingsbury (armorial bookplate); Dublin Jesuit ex-libris ink stamps on front free endpaper and title.

FIRST EDITION of Kircher\'s description of the topography, landscape, buildings, gardens and archeological treasures of the city of Rome and its surroundings. Modern and ancient sites are described, including the Villa Borghese at Mondragone, Hadrian\'s Villa, and the Villa Aldbrandini at Frascati. Caillet 5777; Cicognara 3758; Merrill 23.

阿塔纳修斯·基尔彻。1602-1680. 拉蒂姆。这是一个新的、平行的、既旧又新的描述。阿姆斯特丹:约翰内斯·扬索纽斯·范·瓦斯贝热和E.Weyerstraet的继承人,1671年。

下载阿塔纳修斯·基尔彻。1602-1680. 拉蒂姆。这是一个新的、平行的、既旧又新的描述。阿姆斯特丹:约翰内斯·扬索纽斯·范·瓦斯贝热和E.Weyerstraet的继承人,1671年。大图

13. 克里斯多夫·谢纳。1573-1650. 来自Admirando FacularsMaculas Varius的Rosa Ursina Sive Sun。布拉恰诺:安德烈亚斯·菲乌斯(Andreas Phaeus)在公爵出版社,1626-1630年。 高清作品[34%]

Rosa Ursina Sive Sol ex Admirando Facularum  Macularum suarum Phoenomeno Varius.  Bracciano: Andreas Phaeus at the Ducal Press, 1626-1630.

图片文件尺寸 : 4065 x 5080px

SCHEINER, CHRISTOPH. 1573-1650. :Rosa Ursina Sive Sol ex Admirando Facularum Macularum suarum Phoenomeno Varius. Bracciano: Andreas Phaeus at the Ducal Press, 1626-1630.
Folio (375 x 260 mm). Engraved title vignette, engraved portrait of Paolo Giordano Orsini, Duke of Bracciano, additional engraved title, numerous engraved illustrations throughout (many full-page), woodcut head- and tailpieces and initials. [38], 784 (with numerous errors in pagination), [38] pp., with the blanks F4, R6 4I6. Full 18th-century (?) vellum, manuscript spine title, all edges gilt. Repairs to large portion of outer lower corner of first 5 leaves (letterpress half-title, title, portrait leaf, contents and engraved title) with loss to text and images, occasional heavy browning and waterstaining, especially to prefatory and end matter, sporadic foxing, loss to top blank corner of 4G6.

FIRST EDITION of Scheiner\'s major work on sunspots. Scheiner first observed sunspots in 1611, publishing his finding pseudonymously the following year in Tres Epistolae de Maculis Solaribus. The tract initiated a dispute with Galileo over the nature of sunspots. The present work, Scheiner\'s magnum opus and the standard work on sunspots for over well over a century, opens with an extended attack on Galileo, although Scheiner had by this point accepted Galileo\'s theory that sunspots exist on the surface of the sun and are not, as he had previously argued, caused by shadows cast by satellites of the sun. The many fine engravings depict Scheiner\'s observations, a map of the moon, and the helioscope and other instruments. \"For his masterpiece, Scheiner produced the first monograph on a heavenly body, the Sun. Even today it is still an impressive volume, with scores of engravings of sunspots and the various instruments needed for solar observations\" (Jesuit Science in the Age of Galileo). Cinti 79; Honeyman 2781.

克里斯多夫·谢纳。1573-1650. 来自Admirando FacularsMaculas Varius的Rosa Ursina Sive Sun。布拉恰诺:安德烈亚斯·菲乌斯(Andreas Phaeus)在公爵出版社,1626-1630年。

下载克里斯多夫·谢纳。1573-1650. 来自Admirando FacularsMaculas Varius的Rosa Ursina Sive Sun。布拉恰诺:安德烈亚斯·菲乌斯(Andreas Phaeus)在公爵出版社,1626-1630年。大图